Tag Archive: tips

Some Techniques to Capture Great Food Photos

Food and restaurant blogs that capture a variety of culinary delights that make the eyes and mouths water in hunger are getting very popular these days. It would not have been possible without the help of some great photography employed on the food.

As such, photos can make or break a food item. So it is important that as a photographer, even a Kent Wedding Photographer, the food is presented properly and in a way that they would be sought by gustatory senses of the viewer. We have compiled some tips in ensuring great food photography below:

You Only Need One Light Source

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Food photography is definitely one of those genres where less is more; any elements added would make one lose focus on the subject itself which is the food. To ensure this is just a matter of carefully selecting a single large, diffused light source. Oftentimes, a simple window will be all you need to create beautifully diffused back or side light on the subject, creating dimension and highlight the textures in the food. Remember that the best light for food photography is the light they won’t even notice when they look at the photos. We want it as natural as possible.

Shoot in Different Angles

Just like human subjects can be photographed from more flattering angles, the same goes for food. It’s important to remember that the concept you see in your head might not always make the best photo. Get the shot you think you want, but then take a few minutes to recompose and take another. Variety is important, particularly if you are shooting for a client. Clients like choices. Also keep in mind that different angles will be better (or worse) for different types of shots. As with any other type of photography, choose your angles carefully. It is your choice of camera angle that creates a sense of depth, perspective, and scale. Choose wisely. Remember that an added benefit of shooting food is that it won’t get bored or frustrated with you while you take your time getting everything just right.

Getting It Right

Many food photographers would say that you have a very short window of opportunity to get the shot once the food hits the table. To a certain extent they are correct. Hot dishes in particular are going to look their best when they are still hot and fresh out of the oven. That doesn’t mean though that the food’s first appearance in front of the camera has to be once it’s fully camera-ready. Always make sure that the budget includes extra food, the so-called “dummy food” where you can spend time on it composing and making sure that your camera and light settings are where you want them. Once they are ready for the real thing, they bring out the “hero food”– the dish that has been perfectly selected, prepared, and plated. Running test shots with dummy food helps take the pressure off when it’s time to shoot the hero food.

About the Depth of Field

There is a natural inclination to shoot as wide open as possible when using natural light. Shooting at f/2.8 or f/1.8 can certainly create soft, artistic backgrounds, but keep in mind that you might actually want more of your background in focus than shooting wide open would generally allow when shooting food, especially If the narrow depth of field (DOF) would not let the viewer recognize the food or ingredients in the background. Remember also that DOF applies from side to side, not just front to back. A close-up of a dish is essentially a macro shot. If your focus falls off too quickly in any direction you can kill an otherwise beautiful shot.

Know How the Photo Will Be Used

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Are you shooting for a cookbook? A magazine? Product packaging? Knowing your audience and how the photo will be used is going to play a huge part in how you compose or crop your image. For print, consulting with the client regarding layout is crucial. That’s one of the reasons for shooting multiple angles to provide with choices as to which would go where.

Never Ever Mess with the Food Stylist’s Work

Don’t learn this one the hard way. You take your job seriously and so do they. Once the food hits the plate it’s off-limits to you. Turn the plate if you want to, but if something needs to be moved, ask them to move it. If something needs to be added, ask them to add it. They’ve been hired for the same reason as you– they’re talented and they know what they’re doing.  They’re not reaching for a camera, so you don’t reach for the food.

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Why You Should Buy an External Camera Flash

external camera flashProfessional photographers are very well aware of the importance of having enough light during photo shoots. Some of them prefer to use their on-camera flash while others choose to buy an external camera flash. Both sides have different reasons for using or not using an external camera flash. If you are new to photography and not sure whether to buy one, then read on to know the importance of a camera flash.

Basically, an external camera flash works to add more light to a low light location in order to improve the photographer’s shots. This important accessory can be found in different types. Some are small and cheap while others are big and expensive. There are also flashes that can be used off-cam which means it can supply light even when detached to a camera. The guide number of the flash is also directly proportional to its size. The higher the guide number of a flash, the bigger it is.

When buying an external flash, you should also consider your purpose as well as your budget. It should be suitable to the type of photography you are into.  There are specialized flashes for specific purposes. Do a research on which one is right for you to use.

  1. It can provide you with more light

An external flash can illuminate a much wider space in your location. This is particularly useful in indoor locations where light is sometimes insufficient. Wedding photographers like wedding photographer essex use it in low-light wedding venues in order to get the necessary light that can help produce brilliant wedding photos.

  1. It can be tilted for more creative shots

Unlike most pop-up camera flash which cannot be tilted, external flashes can moved to your desired position. You can also easily diffuse the light to get a soft, natural light which is best for photographs.

  1. It can remove red eye

When you use an external flash, there is less possibility of getting a red eye since it is far from the lens of the camera. Red eye usually appears in a subject when flash is near the eye lining and it sometimes happens when you only use your built-in camera flash. Our friends in Wedding Photography Hertfordshire never had a red eye problem for they know how to deal with it.

  1. It won’t drain your battery

External flashes have their own batteries or battery packs separate from that of your camera’s battery pack. Hence, you can get sufficient light using a flash without affecting the battery level of your camera.

  1. It can be manipulated

Since most external flashes can be used off-cam, you can easily strategize on where to position it for more creative shots. You can bounce the light to the right direction to avoid harsh light and you can also diffuse it to get a softer light.

  1. It can recycle fast

External camera flashes recycle fast thus allowing you to take many photos in succession. You no longer need to worry about missing a moment when shooting an important event.

Indeed, an external camera flash can help photographers like you to get the remarkable shots you are after. Make sure to buy one that suits your needs and likes.

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